Architectural’s Ideology review

11Oct12

Toward a Critique of Architectural Ideology

Manfredo Tafuri. 1969

The metamorphosis of languages is but the reflection of the structural changes of society. Technology, by increasingly reducing the gap between art (the synthesis of new languages) and nature (modern, technical, urban reality), plays a determinant role as catalyst of a sufficient, necessary process.

Beyond its vast potential and the limitless worlds it opens up, technology also displays a flexibility indispensable in a period of transition: it allows the conscious artist to act not upon the formal effects of communication, as before, but upon its very terms: the human imagination. Contemporary technology, in short, allows the imagination to take power. Freed of all normative impediments, of all questions of realization or production, the creative imagination can identify itself with global consciousness. Prospective aesthetics is the vehicle of man’s greatest hope: the collective liberation of humanity. The socialization of art represents the convergence of the forces of creation and production toward a goal of dynamic synthesis and technical metamorphosis: it is through such restructuring that man and reality find their true, modern face, that they become natural again, having overcome all alienation.

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